Friday, August 28, 2009

Technology is allowing for a "literacy revolution"

According to this article at Wired, technology is not killing literacy, it's revolutionizing it.

According to a Stanford study, young people today are writing more than those of previous generations, and most of the time they are writing for an audience. Social networking sites, blogs, etc, base most interaction on the written word, and as a result young writers are becoming very adept at tailoring their writing to their audience.

I wonder what effect this will have (if any) on long-form writing. Are today's young writers more confident in their writing skills, and therefore more likely to tackle the daunting task of writing a novel? Or has technology shortened their attention spans to Twitter-like soundbites and Facebook memes?

Perhaps more importantly to aspiring novelists today, what is the effect of technology on the reading habits of the younger generation? I would guess that the amount of reading being done goes hand-in-hand with the amount of writing, but what is being read? Short blog entries, Facebook wall postings, novels?

I'd love to see Stanford follow up their writing study with a reading study.




Wednesday, August 26, 2009

My Writing Nook update - now netbook-friendly!

I've just released an update to My Writing Nook.

This is a fairly minor release - basically just cleaning up a few minor annoyances, such as the fact that after creating a new document, you would have to click on the editor before you could start typing. I also wanted the tooltips for the command buttons to display themselves faster, so I added some snazzy new tooltips to them.

Finally, I noticed that while the app was sized perfectly for my desktop and my laptop, it wasn't too friendly to my netbook. I have the original model EeePC, with the 7" screen, and the sidebar just didn't work that well in such a confined space. Since I imagine that many people will be using netbooks during NaNoWriMo, I want to make sure that smaller screens are well-supported.

I think it looks really good now. Here's what it looks like on my EeePC (or you can see it for yourself):
(click to see a larger, non-blurry photo)







Thursday, August 20, 2009

Another avenue to publication - the blook

I happened across an interesting article the other day in the Times of London. The article, entitled Meet blook, son of blog, on the new frontier of publishing, describes an avenue to publication that didn't exist until recently. Blooks are publications that have sprung from a popular blog or website.

It makes sense, really. An established blog has an established audience, and a traditional publisher, risk-averse by nature, can mitigate the risk of taking on an unpublished author by selecting one that already has a large fan-base. Marketing dollars can be saved because there is already a conduit to a portion of the target demographic.

If you already have a popular blog, you might want to think about using it as a path to traditional publication. If not, then you might want to think about starting down that path.

Friday, August 14, 2009

Traditional publishers can't recognize talent anymore

Here's more proof that getting recognized and published by a traditional publishing house is a complete crap-shoot:

The Times of London submitted two Booker prize-winning novels to several publishing houses and agents as the work of an unpublished, aspiring author. Both books were rejected.



Thursday, August 13, 2009

Copy-editing - can it be crowdsourced?

A popular trend in Web-land these days is called crowdsourcing. In a nutshell, crowdsourcing is using the collective efforts of a really large number of people to tackle a specific problem. As it turns out, the Web is a fantastic tool for gathering large numbers of people from around the world and focusing them on a task.

A notable example of crowdsourcing occurred recently in Britain. The British government released a set of documents detailing the expense reports of all its MPs. The publicly-available documents amounted to roughly 459,000 pages, presenting a monumental task to anyone that might want to figure out exactly what their government is spending money on.

The Guardian, a UK newspaper, put up a website that allows visitors to review these expenses one page at a time and flag any that seem questionable. If an expense is flagged by multiple people, it becomes a candidate for investigation by the paper.

The Guardian realized that its own small staff would never be able to scrutinize such a mountain of paperwork, so they decided to crowdsource the problem. So far, that decision has paid off. Many questionable expenses have been brought to light, and the people responsible are being held accountable for their actions.

Recently, I started thinking about how one could apply crowdsourcing to writing. Writing is traditionally a solitary pursuit, but I think that there are opportunities here. While it doesn't make sense to crowdsource the writing of a first draft, some of the other steps in the process might be viable candidates for help from the crowd.

The research process has already been greatly assisted by crowdsourcing. Sites like Wikipedia, Ask.com, or even Flickr are excellent resources, and are actively maintained by thousands of users worldwide. 

Manuscript review lends itself nicely to the application of help from others. In fact, there are already several websites that use the power of crowds for the purpose of reviewing manuscripts or short stories. I will talk about a few of these in a post to follow in the next few days.

I started thinking about other steps in the writing process, and realized that copy-editing might be an excellent opportunity to utilize the efforts of the crowd. Like wading through mountains of government expense documentation, copy-editing an entire manuscript can seem like a near-impossible undertaking. 

What if there was a website that allowed writers to submit their manuscripts (or short stories, or articles) and have others copy-edit their work? I'm just brainstorming here, but I'm thinking that the process might work something like this:

1. Writer submits their work to the site for copy-editing.

2. The submission gets chopped up into page-sized chunks of about 500 words. These chunks are anonymized, so that editors can be impartial, and also so that no one can piece together the entire manuscript.

3. Other users of the site volunteer to copy-edit. I'm thinking that most of the users on the site will be writers, and the expectation will be that one should copy-edit the work of others if one expects others to copy-edit for them. An "I'll scratch your back if you scratch mine" sort of arrangement. Or perhaps a writer would need to accumulate a certain number of points or credits (earned by editing the work of others) before they are allowed to submit their own work for editing. 

4. A user requests work to copy-edit. They receive a single page-sized chunk to edit, which is a reasonable amount of work to deal with. They copy-edit the page and modify the text so that it is correct.

5. When the editor has completed the edits, they submit the edited page.

6. The original writer receives status updates via email, and can log in to view the editing that has already been performed. They can compare the original page with the edited page, and can therefore see exactly what copy-edits have been suggested.

7. The writer can take all the editing suggestions they've received and apply whatever edits they deem appropriate.

So what is the carrot here? With crowdsourcing, there needs to be something to entice people to contribute their time and energy. In the example above, the Guardian played on people's innate distrust of government to turn them into watchdogs. They also turned it into a bit of a game, adding a "leaderboard" that tracked the most productive users. The copy-editing site could do something similar - have some sort of points system and reward the top-contributors with recognition or some other perks. Or it could be that you need to do some copy-editing of other submissions if you want to get your own work copy-edited.

That's the basic idea. Now I'll do a little crowdsourcing of my own: what do you think of such an idea? As a writer, do you think the site would be something that you would use? Something you'd contribute to? I look forward to reading your comments.

Tuesday, August 4, 2009

Self-Publishing success stories

The Globe and Mail has an article about writers that have decided to leave traditional publishers behind and publish themselves.

This is similar to my post from last week, about lowering the barriers to publication, and affirms all of the points that I mentioned. The main focus of the article is writer MaryAnn Kirkby, who wrote a book that traditional publishers turned down - they saw it as targeting a niche market. As it turns out, that niche isn't so small: Kirkby sold 50,000 copies on her own in Canada and is now in negotiations with a major American publisher to take her book nationwide in the US.

It touches on the ability to maintain complete artistic control of the work, describing how author Chic Scott deliberately kept his latest book to himself, instead of sharing it with the publisher of his previous books. "I just didn't want to lose control of this book," he said.

The article also touches on the financial benefits, with this mention of royalties:
And rather than depending on royalties, which normally hover between about 10 and 15 per cent of a book's cover price, she collects the lion's share of the $29.95 cover price of each book she sells. “I've sold over 50,000 books,” she says. “If you do the math, it's pretty nice. I like my new car a lot.”
It's a very interesting and encouraging article. Check it out when you have a chance.

Friday, July 31, 2009

Need motivation to finish those edits? Publish your book.

Writing a novel is hard. First, a writer must complete a first draft - hundreds of pages of creative output that more often than not results in a steaming pile of crap. In her book Bird by Bird, Anne Lamott refers to this as a "shitty first draft." Once the first draft is complete, the writer is faced with the daunting task of editing their work.

For many writers, the process stops here. It takes an enormous amount of effort and dedication to finish the first draft, and many writers cannot gather up enough motivation to take the necessary next step of editing.

I've found something that helps me when I'm in this position, and I'm sharing it in the hopes that it will help others to rekindle their motivation. When faced with the long, often tedious road of editing, I publish my book.

You heard me right. Let me explain.

When I say publish, I don't mean publish to the public. Publishing a first draft to the public would be a horrible mistake. No one gets it right the first time - I don't care how long you've been writing. I'm talking about publishing a very limited edition private print run - of 1.

I suggest that you use Lulu, CreateSpace or some other print-on-demand publisher to print out a single copy of your first-draft manuscript in book format. If you've got some cover art in mind, use it, but cover art isn't essential at this point. Just make sure that the title (or working title) of your book and your name appear prominently on the cover and spine.

These publishers should have a setting that allows your book to remain completely private and unavailable to the general public. Make sure you set up your book this way. Upload your book and cover, and order yourself a single copy. It shouldn't cost you more than $20.

The process of preparing your book for print can be motivating in itself. Maybe you'll find or create some really cool cover art that provides inspiration. Maybe just thinking about your book in printed form gets you fired up. If so, run with it and dive into those edits!

However, the real flood of inspiration will arrive when your printed book arrives. When you see your name on the cover and spine, and you hold the manifestation of countless hours of hard work in your hands, it's truly motivating.

It works for me, at least. There's just something about actually seeing my manuscript in printed form that fills me with enough motivation to tackle the editing process. Every time I feel my motivation start to ebb, I look at my "published" book sitting on my bookshelf.

Then I get back to work.

Tuesday, July 28, 2009

Three reasons why lowering the barrier to publication is a good thing.

Today's writer has so many publishing options available, the barrier to publication is lower than ever before. Like Gutenberg's moveable type printing press enabled writers in the 1400s to reach new audiences, the Internet today allows writers to expose their work to a global audience with surprisingly little effort.

From blogging to online periodicals to publishing on demand and eBooks, today's writer has many avenues to publication that have opened up in only the last few years.

Some people consider this a bad thing, saying that a lower barrier to publication means a proliferation of bad writing. Print-on-demand writers have had a certain stigma attached to them by the self-anointed literati.

I take the opposite view. I believe that allowing more writers to publish more books more easily is a boon to both writers and readers. There are a lot of reasons why I believe this, but for now I will give you three:

1. The needs of niche markets can finally be met.
With a traditional publishing house, there's a finite number of books that can be published each year. This number is dictated by a company's limited resources - budget and staff - and has traditionally been relatively small.

Because the number is small, a publisher can't afford to deviate very far from the mainstream. They prefer to travel down well-beaten paths, with established markets of predictable size. This means that niche markets are underserved or ignored completely.

Sure, there isn't a huge market for books about a mystery-solving tree surgeon, but there could be a small market whose readers turn out to be utterly devoted. Perhaps such a market isn't big enough to allow a large publishing house with its overheads to be profitable, but it may provide a nice little revenue stream for an independent author.

A writer who self-publishes today can do so with little or no overhead, enabling them to target previously untapped niche markets without much financial risk. Internet pundits have dubbed such niches as "The Long Tail", and an independent author that meets the needs of grateful niche readers might find that The Long Tail can be profitable indeed.

2. Easy publication allows writers to hone their skills while enjoying the satisfaction of sharing their work with others.

Let's just say it - there are a lot of badly-written books that have been self-published. So what? I would argue that those poorly-written books are actually a good thing. No, I'm not barking mad. I simply choose to see each of those bad books as a stepping stone to a better one.

Writing a book is not easy. Every book was written by an aspiring author who had a story to share or information to relate, and had the dedication and perseverance to see that book through to completion. Why not allow them the satisfaction of seeing their work in print? Why not allow them to share this work with others?

If these writers pursued traditional publication, they may instead be exposed to waiting, more waiting, and rejection. The traditional process crushes motivation, causing many promising writers to abandon their dreams.

Seeing one's own work in print is very motivating, and some writers will be inspired to continue improving their craft, with the goal being to have their next book be even better. Each book becomes a stepping stone to an even better next book.

3. Self-publishing allows writers to maintain complete control of their work, and reap all the financial rewards.

When writers publish with a traditional publishing house, they give up a large amount of control over their work. It is the publisher who decides what the final product will look like, from the typeset to the cover art to the title of the book itself. Sure, writers can offer their suggestions, but the publisher has the final say.

With self-publishing, the writer can have complete artistic control of the finished work. The writer gets to decide exactly how their book will end up looking.

On the financial side of things, writers who self-publish are again in control. The writer can decide how much or how little to charge for their book, and self-publishing royalties are well-above those offered by traditional publishers. Publishing houses have a lot of overhead to support, and it's the writer that pays the price for this. Why should this continue to be the case?

For the first time in history, the writer can be in control. It's an exciting time to be a writer.

Eating My Own Dogfood

As I've stated on the My Writing Nook homepage, I created this application to scratch a personal itch. I wanted a single writing environment that I could access from home, work, and whereever I might find myself. I wanted my workspace to be uncluttered and easy to use. I couldn't find anything on the web like it, so I built a tool to meet my own needs. I figured that if I liked it, others might as well, and so I've made it generally available to anyone who might want to use it.

Because I built the application for myself, I am the target user. I'm also currently the most active user of the application. The phrase "eat your own dogfood" means that a producer should use their own products, to get a sense of how well they're meeting a customer's needs. In the case of My Writing Nook, I'm definitely eating my own dogfood. I use the app every single day.

As a result, all the other users of the application benefit from this, because I have a low tolerance for crappy software. The application must perform to my high standards, and since it's in my own best interests that it does, you can bet that I'll ensure that it does. If I find something that doesn't work quite right, I fix it as soon as possible. If some task seems a bit clunky, I do my best to streamline things.

I want things to work 100% of the time, and I want the app to be as simple as possible but no simpler.

These goals are selfish, but they also happen to benefit every other user of My Writing Nook. It's a win-win situation.


New Release Last Night

I released a new version of My Writing Nook last night. Nothing Earth-shattering - mainly just a bit of code cleanup and adding some defenses that will prevent you, dear user, from wandering off into dangerous territory.

Previously, if you attempted to email or download a document that hadn't been saved yet, you would get an unhelpful error message. Now you get a helpful message that asks you to save your document before performing one of those actions.

I also cleaned up the Javascript code a little bit, to make it more maintainable.

I also added some links to the homepage - a Twitter link that will allow you to share the application with your followers on Twitter, and a link to this here blog.

I'm intentionally adding only "essential" features to the app, so that things remain uncluttered and you can focus on your writing. However, if there's an essential feature that you feel I've missed, please feel free to send me a feature suggestion.

Happy writing!