Showing posts with label writing process. Show all posts
Showing posts with label writing process. Show all posts

Friday, October 22, 2010

How JK Rowling plotted her novels

For those of you busy planning, plotting, and preparing for NaNoWriMo, I thought I'd share this interesting glimpse at how JK Rowling did her plotting for the 5th Harry Potter book.

After getting 50K words into my last NaNovel and then having absolutely no idea how to end the thing, I can really appreciate the attention to detail that she put into her outline. Ya gotta love her "retro" spreadsheet - cutting and pasting must have been a pain, though.

Saturday, April 17, 2010

Why I created My Writing Nook

A friend just sent me this picture, which she took outside Grand Central Terminal in New York City. I think it is a perfect example of exactly why I created My Writing Nook.



The unfortunate author's phone number has been photoshopped out. I hope that he or she got their manuscript back.

Don't let this happen to you! Write your novel with My Writing Nook!

Sunday, April 11, 2010

Writing on the iPad with My Writing Nook

For the past few years, I've been on a quest. A quest to find the perfect set of writing tools. I've been down many paths during this quest, had several close calls, had my hopes raised up only to have them come crashing down to Earth. At times I've thought that perhaps finding the Holy Grail would be easier.

OK, I'm being a bit melodramatic here, but my point is, I've been looking for the perfect set of writing tools for a long time now. I'm happy to say that I have finally discovered them.

I think that the iPad is the ideal writing device. Especially when paired with an app like My Writing Nook for iPad. I'm not just tooting my own horn here - I am honestly excited about how well the app and the iPad fit into my writing life. I feel like I've finally discovered the perfect set of tools for writing a novel or working on a writing project.

Here's my current novel writing set up:
- an iPad with WiFi and 16GB of memory.
- Apple bluetooth keyboard.
- Apple iPad case.

Right now, I'm writing this post on my iPad. I've got My Writing Nook open, and I'm happily typing away on my bluetooth keyboard. For short notes, the on-screen keyboard is fine, but for serious writing sessions the bluetooth keyboard is invaluable. I've got Apple's iPad case, which allows you to prop up the pad at a slight angle, or stand it up like a picture frame.

So why does the iPad succeed where so many other devices have failed?

It's portable. I can put it in my small messenger bag with plenty of room to spare. The bluetooth keyboard is equally slim and portable.

It's fast. The iPad is instantly on with the press of a button. There's no waiting around for the computer to wake or boot up. The interface is responsive and snappy.

The battery life rocks. This was one of my biggest problems with netbooks. While some of the newer netbooks have much better batteries, the average netbook battery only lasts 3 hours or so. The iPad battery will last the entire day.

It's quiet. There's no fan noise, and the device never gets warm. No lap burns here.

The bluetooth keyboard is awesome. It's full-size, and yet still very light and portable. I have yet to find a netbook keyboard that I liked. I love my Apple bluetooth keyboard.

The software is great. Obviously I'm a little biased, but My Writing Nook for iPad has exceeded even my expectations. Every time I launch the app it makes me smile. The iPad is the device that this software was meant for.

In summary, I'm totally thrilled with my new novel writing toolset - the iPad, a bluetooth keyboard, and My Writing Nook for iPad. It's a writer's (well, at least it's *this* writer's) dream come true. And with that said, I'm going back to writing my novel.

Saturday, January 2, 2010

Profiles in Web Fiction: Nancy Brauer and Vanessa Brooks of Strange Little Band

Today's featured authors are Nancy Brauer and Vanessa Brooks of the webserial Strange Little Band. They've been publishing SLB since May of 2009, and the story is really hitting its stride as we enter 2010. Updates are published twice a week, with a bonus story every other week or so.

This is the fourth interview in the Profiles in Web Fiction series. The other interviews in the series can be found here.

The authors describe Strange Little Band as dark, paranormal romance. It follows the lives of Shane and Addison, co-workers whose lives are forever intertwined by their employer, the unscrupulous Triptych Corp. To make things more complicated, both Shane and Addison have paranormal abilities, which turns even their most trivial interactions into epic mind games. Toss in a healthy dose of hormones and you've got the recipe for an intriguing story.

Nancy was kind enough to answer my questions via email.


How and when did you start publishing online?

Strange Little Band debuted on May 1, 2009 at http://www.strangelittleband.com. Vanessa and I have quite a bit of web design experience, so setting up a self-hosted WordPress site was easy. We'd written together previously, but this is the first time we've published a web serial for public consumption.


Why did you decide to publish your work as serial fiction on the web?

I was the one who pushed to publish SLB online. The more I read about the time and effort required to get literary agents' and publishers' attention, the less inclined I was to play the game. The fact that Vanessa and I had already written 140,000 words of the first draft helped, too. Most of the work has been editing, filling in gaps in the storyline, and lots and lots of promotion.


What are the benefits of publishing online? What are the drawbacks?

The number one benefit of publishing online is reader feedback. Interacting with the audience is fun. They tell you when you're doing something right, and when you're not being clear. Vanessa and I primarily communicate with readers through SLB site comments, Twitter, and the SLB forums.

The number one benefit of publishing online is reader feedback. Interacting with the audience is fun. They tell you when you're doing something right, and when you're not being clear.
The flexibility of online publishing is another huge plus. If you find a typo, you click "edit," make the change, hit "publish," and you're done. You're free to change your posting schedule. Want to change the look of the site? Go for it. You can experiment with integrating reader suggestions, creating character Twitter accounts, and more. The only thing holding you back is your time, desire, and web skills.

The big drawback is having to do everything yourself. Unless you've got a substantial budget or an army of fans willing to work for free, the author is responsible for all of the stuff a print publisher usually handles: developmental editing, copyediting, cover art, marketing, advertising, data backups, etc. All of this take a lot of time. The effort is considerable, especially if you have a day job.


Do you monetize your work? Why or why not? If so, how?

Vanessa and I are working on monetizing SLB to cover costs. Our primary goal is to find our audience for future works. Any profit we make is gravy. :)

Revenue comes from three sources: donations through the SLB site, bids from Project Wonderful advertisers, and sales from the SLB Zazzle store. It's a grand, ongoing experiment which is alternately fun and frustrating. We're learning as we go.


What do you think web serials will look like in five years?

That's a tough question. I think there will be a lot more, much like the explosion of web comics. Serials will probably split into two categories: "professionals" and just-for-fun types. By "professionals" I mean those whose authors rely on serials as a significant portion of their income. It's easy to put a donation button on a website. Convincing readers to donate or buy merchandise takes a lot more creativity and effort.

It's hard to say where web serials, video webseries, and other online entertainment will be in five years. So much is in flux right now. Print publishers are struggling, eBook readers are trying to go mainstream, and piracy is rampant. It remains to be seen if consumers will find enough value in digital media to spend money on it. In general people value tangible goods. For some, if you can't hold it in your hands it's okay to grab a copy. I don't mean to stir up a digital rights management (DRM) debate. It's just that writing and publishing anything online takes time. Unless the writer is extremely frugal or independently wealthy, he or she will likely need revenue to justify the time and effort of publishing.


Your web serial is different from others in that it's a collaborative effort. I'm interested in how exactly you and Vanessa collaborate. How do you divvy up the workload?

We wrote the first draft of SLB via email a few years ago. It was a giant email volley with Vanessa writing primarily from Addison's point of view and me from Shane's. We shared the other characters as necessary. The whole thing was made up on the fly! Editing is crucial to keep the voice consistent and not give the readers whiplash from POV changes.

Although we're in editing and revision mode, we still rely heavily on email. I do the editing for the main SLB story posts. Vanessa's writing the bonus stories. We both fill in gaps in the storyline. Who writes the new bits depends on the POV for the new section and my and Vanessa's schedules. Typically we email each other drafts in the body of an email message. We plot and plan by email, IM, and sometimes Twitter direct messages. We've only spoken once by phone!


What tips would you share with others interested in publishing serialized fiction on the web?

First and foremost, be patient. Unless you can throw a lot of money at an advertising blitz, it'll take time for readers to find you. Make it easy for them. Think about who might like your story. Connect with them, be it on Twitter, forums for similar web serials, or other ways. To get started, check out successful web authors like MeiLin Miranda, MCM, and Alexandra Erin. Novelr and WebLit are warehouses of good ideas, too.

It's also important to plan your story ahead and have a posting buffer. By the latter I mean have two or three posts ready to go at any given time. Unfortunately, I don't always follow my own advice on this front, so the day before posting can be stressful. At least I usually have the first draft done, so it's only last-minute editing.



Be sure to check out Strange Little Band's website.




Friday, December 4, 2009

Profiles in Web Fiction: Darien Meredith of Phantasia

We're kicking off this series with a profile of Darien Meredith. He has only been publishing his webserial Phantasia since March of 2009, but has been developing the story since 2005, and it's clear that a lot of work has gone into it.

To see the other interviews in the series, visit this page.

Phantasia follows the journey of a faerie named Phantasia Celeste who is struggling to discover herself. She feels out of place in the faerie world, and travels to the human world in an attempt to understand who she is and the power she holds.

Once in the human world, Phantasia enrolls in school and is immediately confronted with the full barrage of angst that is the human teen experience. Can innocent Phantasia cope with the harsh reality of the human world?

Something that sets Phantasia apart from other webserials is the multitude of illustrations, drawn by the author, which lend a nice touch to the story. The website itself is laid out nicely, with clear navigation to all points of interest. The webserial is updated at least once a week.

Darien was kind enough to answer my questions via email. Without further ado, here's the interview.



How and when did you start publishing online?

I first wrote a web serial in 2000 for around a year and a half, but it wasn't very good and I lost interest. I started developing Phantasia in 2005 and began publishing it online March this year after deciding I couldn't keep revising it forever!


Why did you decide to publish your work as serial fiction on the web?

I've grown up with serialised stories and I've always preferred them to standard novels. Writing a novel has just never appealed to me and everything I've ever written has been in a serial format. When I first published one it just felt like it was the best way to get it to people (most of my friends at that point had left for university) and only found out about other web fiction a short while afterwards.


What are the benefits of publishing online? What are the drawbacks?

For me I don't think there's any other option! If I sent the concept for Phantasia to a publisher, they would reject it. If the story didn't put them off (or its length!) then the diverges into illustrated territory would. Its one thing to have a Generic Fantasy Cover, it's another to have a chapter cut from text to a scene drawn like a comic... The internet, of course, allows me to do whatever I want! No one telling me "this won't be marketable" or "readers won't like this development".

The major drawback is the workload. Having a weekly deadline to meet and knowing there are hundreds of people waiting for you to update can be stressful! Then there's the illustrating, the web design, the bonus content, the advertising and promotion, the interacting with readers... It's not like just writing a manuscript.
"Ultimately it will be like Tolkien's collected works on Middle Earth, only far more navigable"

Interacting with the readers is an advantage, though. It gives you direct feedback (and encouragement!) as the story is progressing. There's always the possibility it could reverse, though, and a reader might get irate at a development they don't approve of. It's a niggling worry, but I'm stubborn (arrogant?!) enough not to write just to pander to and please the readers.

Finally, being on the internet means I can add a load of extra bits and pieces that you wouldn't get in a book (well, you could, but it wouldn't work as well). Currently I'm still working on a extensive database of information that will provide background detail on a lot of things I can't cover in the text (without segueing into awful blocks of exposition anyway!) and I have plans for short and side-stories that deal with minor characters or mentioned events that aren't key to the main story. Ultimately it will be like Tolkien's collected works on Middle Earth, only far more navigable. (no one can say I'm not ambitious!)

There are other advantages/drawbacks, but I'm rambling enough as it is.


Do you monetize your work? Why or why not? If so, how?

Not currently. The little money I make from adverts goes straight back into helping pay for my own advertising costs. I'm still in this little bubble where the idea of making money off my work seems absurd, even though it's rapidly developing into a full-time job and people tell me I should be making money off of it! I'm contemplating doing some kind of donation-incentive system like webcomics use, and developing some kind of tie-in merchandise (again, like webcomics). I'll get around to self-publishing collected volumes sometime in 2010 too.


What do you think web serials will look like in five years?

I'd like to think they'd be in the position webcomics are now, but that will depend on how the tide turns and who's riding the waves. Once e-readers are commonplace, I expect the e-book format to go a similar way to the mp3 (but not as popular, since music is more popular than reading!). I don't see the mainstream grabbing on to serials or web fiction just yet though, as the stigma of "online fiction = not good enough to be published" is going to be difficult to scrap.


What tips would you share with others interested in publishing serialized fiction on the web?

Don't go into it with the mindset of it making you popular or that you might make a living from it: do it because you enjoy it (but hey, that's a tip for any creative venture!). Of course if you do want to take things to the next level, you need to be prepared to do the research and spend money. DON'T just copy what's popular. I'll admit I've avoided - ignored even - the currents of the webserial communities and just followed my own instincts. It's done me fairly well. I expected to have 10 readers after a year, by next March I'll probably be closer to (or over) 1,000 if current trends are any indication. Then again I have no idea what readership figures are like elsewhere - a thousand could be pittance compared to other serials. But yeah, just trying to mimic what makes another serial popular will get you nowhere: work out what your story is, what its strengths are, and work with them. Don't be afraid to experiment or do your own thing, because that's what will make you stand out in the end.

Oh, and remember that a serial is different from a novel. Learn the differences in the way their narrative is structured. Think about the differences between a TV series and a film, for example. Make the most of the advantages the serialised medium gives you, like the wait between chapters and reader debate over what might happen (or what they want to happen). Long-running Japanese comics are a good inspiration for serialisation, but then I've grown up with such things and may be biased.

~~

Thanks to Darien for taking the time to answer my questions.

To check out his work, be sure to visit Phantasia.



Thursday, October 29, 2009

Show your colors, fellow writers. NaNoWriMo is almost here!

National Novel Writing Month (or NaNoWriMo for short) is nearly upon us! Are you ready? I will be partaking in the madness for the 5th straight year, and this year, my novel writing tool of choice is My Writing Nook. I plan to write from several different computers this year - my work PC at lunchtime, my netbook at the local coffeehouse, and my iPhone whenever I'm out and about and have a spare few minutes. It's all about maximizing the word count!

NaNoWriMo is great for a few reasons. My favorite aspect of the event is that it is social. Writing is usually a solitary activity, but NaNoWriMo encourages camaraderie and socializing. Novel writers are encouraged to attend "write-ins," where you can band together with your fellow novelists and share in the ups and downs of the writing process. The write-ins are by far my favorite part of NaNo.

NaNo is also liberating. The only way that you can achieve the monumental task of 50K words in a month is by turning off that demon known as your inner editor. NaNo is all about getting words on the paper, no matter how well-written those words happen to be. By turning off the inner editor, your mind is free to spew forth whatever ideas it might have in the moment. Sure, a lot of those ideas will be crap, but there might be quite a few gems in there as well. NaNo is about allowing yourself the freedom to experiment, and hopefully when it's all over, you'll be left invigorated by the process. Then you can set about to unearthing and polishing those gems.

There's still time to sign up for the fun. Head over to http://www.nanowrimo.org to see what it's all about. If you are already signed up, I encourage you to attend at least a few write-ins during the month. They will surely provide a boost of enthusiasm and inspiration, especially during the doldrums of week two.

Show your colors, fellow writers! Say it loud and say it proud - I AM A WRITER!

Thursday, August 13, 2009

Copy-editing - can it be crowdsourced?

A popular trend in Web-land these days is called crowdsourcing. In a nutshell, crowdsourcing is using the collective efforts of a really large number of people to tackle a specific problem. As it turns out, the Web is a fantastic tool for gathering large numbers of people from around the world and focusing them on a task.

A notable example of crowdsourcing occurred recently in Britain. The British government released a set of documents detailing the expense reports of all its MPs. The publicly-available documents amounted to roughly 459,000 pages, presenting a monumental task to anyone that might want to figure out exactly what their government is spending money on.

The Guardian, a UK newspaper, put up a website that allows visitors to review these expenses one page at a time and flag any that seem questionable. If an expense is flagged by multiple people, it becomes a candidate for investigation by the paper.

The Guardian realized that its own small staff would never be able to scrutinize such a mountain of paperwork, so they decided to crowdsource the problem. So far, that decision has paid off. Many questionable expenses have been brought to light, and the people responsible are being held accountable for their actions.

Recently, I started thinking about how one could apply crowdsourcing to writing. Writing is traditionally a solitary pursuit, but I think that there are opportunities here. While it doesn't make sense to crowdsource the writing of a first draft, some of the other steps in the process might be viable candidates for help from the crowd.

The research process has already been greatly assisted by crowdsourcing. Sites like Wikipedia, Ask.com, or even Flickr are excellent resources, and are actively maintained by thousands of users worldwide. 

Manuscript review lends itself nicely to the application of help from others. In fact, there are already several websites that use the power of crowds for the purpose of reviewing manuscripts or short stories. I will talk about a few of these in a post to follow in the next few days.

I started thinking about other steps in the writing process, and realized that copy-editing might be an excellent opportunity to utilize the efforts of the crowd. Like wading through mountains of government expense documentation, copy-editing an entire manuscript can seem like a near-impossible undertaking. 

What if there was a website that allowed writers to submit their manuscripts (or short stories, or articles) and have others copy-edit their work? I'm just brainstorming here, but I'm thinking that the process might work something like this:

1. Writer submits their work to the site for copy-editing.

2. The submission gets chopped up into page-sized chunks of about 500 words. These chunks are anonymized, so that editors can be impartial, and also so that no one can piece together the entire manuscript.

3. Other users of the site volunteer to copy-edit. I'm thinking that most of the users on the site will be writers, and the expectation will be that one should copy-edit the work of others if one expects others to copy-edit for them. An "I'll scratch your back if you scratch mine" sort of arrangement. Or perhaps a writer would need to accumulate a certain number of points or credits (earned by editing the work of others) before they are allowed to submit their own work for editing. 

4. A user requests work to copy-edit. They receive a single page-sized chunk to edit, which is a reasonable amount of work to deal with. They copy-edit the page and modify the text so that it is correct.

5. When the editor has completed the edits, they submit the edited page.

6. The original writer receives status updates via email, and can log in to view the editing that has already been performed. They can compare the original page with the edited page, and can therefore see exactly what copy-edits have been suggested.

7. The writer can take all the editing suggestions they've received and apply whatever edits they deem appropriate.

So what is the carrot here? With crowdsourcing, there needs to be something to entice people to contribute their time and energy. In the example above, the Guardian played on people's innate distrust of government to turn them into watchdogs. They also turned it into a bit of a game, adding a "leaderboard" that tracked the most productive users. The copy-editing site could do something similar - have some sort of points system and reward the top-contributors with recognition or some other perks. Or it could be that you need to do some copy-editing of other submissions if you want to get your own work copy-edited.

That's the basic idea. Now I'll do a little crowdsourcing of my own: what do you think of such an idea? As a writer, do you think the site would be something that you would use? Something you'd contribute to? I look forward to reading your comments.